Sonora Clear as a Bell records

Uncle Don on the Farm

narrated by
Uncle Don Carney

Uncle Don was a children’s radio program which aired on WOR radio from 1928 to 1947. The host was Uncle Don Carney, a former vaudevillie performer who was born Howard Rice in 1897. The half-hour program was broadcast daily, five or six days a week.

Debuting September 1928, it was the most popular children’s show of that era due to the powerful 50,000 watt range of New York’s WOR station. Carney sang, played the piano, told stories and introduced a variety of features: the “Earnest Savers Club” which encouraged setting up accounts at the Greenwich Savings Bank; a “Healthy Child Contest”; a “Talent Quest” that provided screen tests for winners. Each program began with Uncle Don arriving in the imaginary autogyro he called his “puddle-jumper.” His opening song was widely known:

Hello nephews, nieces too,
Mothers and daddies, how are you?
This is Uncle Don all set to go,
With a meeting on the ra-di-o!
We’ll start off with a little song
To learn the words will not take long;
For they’re as easy as easy can be,
So come on now and sing with me:
Hibbidy-Gits has-ha ring boree,
Sibonia Skividy, hi-lo-dee!
Honi-ko-doke with an ali-ka-zon,
Sing this song with your Uncle Don!

For decades, a widespread rumor claimed that one night Uncle Don had inadvertently spoken into an open mike, saying “There! That ought to hold the little bastards.” However, this has been debunked as untrue. The rumor was later resurrected in the 1950s, when an audio recording of the mistake turned up on a Kermit Schaefer Bloopers album, though this was later shown to be a fake recreation. Ultimately, this became attributed to later children’s shows as well.

This scenario, a host inadvertently talking into an open mike at the end of a live show, was used as a comeuppance for lead character Lonesome Rhodes in the fictional film drama, A Face in the Crowd. Amplifying the urban legend, a scene in that film shows two real Variety pressmen handling an issue of Variety with a headline comparing Rhodes to Uncle Don.

As a play on the urban legend, jazz musician Sonny Rollins sometimes introduced himself, facetiously, as “Uncle Don”, a nickname that continues to this day. On A Night at the Village Vanguard (Blue Note, 1957), he says, “Good afternoon everybody, boys and girls. This is Uncle Don. (laughter)…Good afternoon, my name is Sonny Rollins.”


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